Ghosts TV Series 2019 2023 Charlotte Ritchie as Alison Cooper

Table Of Content

• ‘Ghosts’ review: She sees dead people —…
• brand new British period drama TV series to watch in 2023
• brand new British period drama mini-series coming in 2024
• Where do we find Mike and Alison?
• Charlotte Ritchie: Alison Cooper
• Exciting news for fans of Tom Hiddleston and The Night Manager
• Charlotte Ritchie is as sad as you are that Ghosts is ending
• 'Ghosts' Christmas special star Charlotte Ritchie: 'It’s a family event!'

AI is terrifying, and it has all sorts of problems, but this technology stuff can really work. Deepfakes can be great if you're trying to do a reunion Christmas special of Ghosts in 20 years' time. But this one has allowed us to be a bit softer about it, a bit more attached. We see a lot of the same crew come back, and we stay in touch with them and that's been really special. But it's quite good to get a contrast, because then you understand how unusual that is. Normally, if you've got a good year of work, you're meeting hundreds of different people, and going to new places, and making new friends, and then not seeing them for months and months.

‘Ghosts’ review: She sees dead people —…

But the surprisingly compassionate reaction of stern Edwardian spook Lady Button (Martha Howe-Douglas) reveals more about her early life with her formidable mother Lavinia, played by guest star Jennifer Saunders. If you just can't wait to find out what happens next, all episodes of Ghosts season 5 are now streaming on BBC iPlayer. The series will ultimately conclude with a surprise Christmas special later this year.

brand new British period drama TV series to watch in 2023

I get stopped on the street by fans of Ghosts who are always telling me that it's the only thing that their kids will sit down and watch with them. Usually, teenagers are in their rooms, or younger children are playing computer games, and everyone is doing things separately. But Ghosts can bring everyone together. For that reason, I really hope that people will say that it's one of the best sitcoms they’ve seen. They've become such close and good friends.

brand new British period drama mini-series coming in 2024

There is something quite rich about the idea of people with very different lives and very different viewpoints being stuck together. That felt very contemporary in terms of how heated conversations are between people with different standpoints. If people inhabit a space together, and look in each other's eyes, they can try their best to maintain a hardness towards each other, but some of that softens and breaks down because we're all people in the end.

Where do we find Mike and Alison?

That’s very important in storytelling. I think throughout the final week, we all had tiny breakdowns. Obviously, we'd known it was coming for a long while. In the process of writing series four, we started to talk about maybe just doing one more so we had a long run into it.

Charlotte Ritchie: Alison Cooper

There are bigger storylines here, as life changes for Alison and Mike, and decisions must be made about the future of the ever-crumbling Button House. We rarely get to see stories on TV about people struggling financially, in any ordinary sense. Most fictional characters seem to live in pristine Victorian semis with vast kitchen extensions, no matter whether they are an investment banker or a teaching assistant. And if they are evidently strapped for cash, it’s usually because they’ve gambled their lives away or rejected their former life as a gangland boss.

Ghosts star Charlotte Ritchie: It feels rubbish it's ending! - What To Watch

Ghosts star Charlotte Ritchie: It feels rubbish it's ending!.

Posted: Tue, 03 Oct 2023 07:00:00 GMT [source]

For instance, after the episode where Mary got sucked off in the last series, we had a lot of letters from people, which was really moving. They said, “I lost someone this year, and I loved your episode.” To have given people comfort and made them feel like they’re not alone was amazing. The episode was touching on grief and loss. So, to have those people come and tell you that was really special.

But you just see this nice little metaphor for different people living amongst each other and learning from each other. We were already sort of feeling that from the second half of that series. You really miss her – I think not just because she's a character that you grew to love, but I think the kind of humour that Katy brings is so specific, and so uniquely funny in its own way. It’s also just shot better and more cinematic. Rooted in a joyously absurd sense of humor, the strength of both shows is how they transcend the initial gimmick and create space for character-based comedy that’s not at odds with the occasional poignant moment.

I can see in my performance that there's a lack of confidence, especially in the first series. So it's not like this constant friction. It's just an ease, I guess because they're just used to each other now, which is really nice. In many ways, Charlotte Ritchie has become a defining face for a certain era of millennial female viewership.

But finding practical resolution to these stories is hard. And so we decided as a group that it's probably best to quit while we're ahead, to go out on a high and to varnish the legacy that we've created. In many ways, it feels like total madness and a very silly decision indeed. But I think it's right for us as a group.

We caught up with Charlotte to find out more about Ghosts season 4... The one-off episode will air on BBC1 on Thursday 23 December at 8.30pm and will also be available on BBC iPlayer (see our Christmas TV guide for more shows to enjoy). We caught up with Charlotte Ritchie and Kiell Smith-Bynoe to find out more about the Ghosts Christmas special, a surefire Christmas TV highlight... Charlotte Ritchie and Kiell Smith-Bynoe on the 'Ghosts' Christmas special. "It is beautiful and wonderful and amazing, but it also marks the end of one era and the beginning of another," she said.

I think there’ll be some sadness about the show ending and we're pleased about that, to be honest, because I'd much rather that than people turning off already, pleased that it's over. I think that is a good sign that people will be sad. I just hope that people think the show has been fulfilling. There is a surface to everyone, and then there’s what’s underneath.

Seriously, they showed me the ropes of how you actually just manoeuvre on a set, and they were also very specific about what they wanted to do, and they took it really seriously. They saw it as a craft and they're really good, but they're so humble. I think that's quite a big conversation about the reasons why that's the case. I think Fresh Meat was the most formative to be honest, right at the beginning, because I had to learn so fast. Looking back I don't know how ready I was for that.